13. March 2026

Welcome to my workbench

I never planned on becoming a jeweller. It all started after my nan passed away and left me a little money and a few pieces of her jewellery. They were things she wore every day and having them, made me realise how much meaning jewellery can hold. That curiosity led me to sign up for a silversmithing course, just as a hobby — or so I thought.

My first year was full of trial and error: solder that wouldn’t melt, bezels that didn’t fit, stones that wobbled, and plenty of pieces that didn’t survive the polishing stage. But the small wins kept me hooked, and slowly I started to feel more confident. I found myself drawn to the things I’ve always loved — history, old objects, myths, and symbolism — and those ideas naturally began to shape my designs. Living in the South Downs influences my work too. The plants, chalk paths, and natural textures around me often find their way into my pieces.

My studio is where everything comes together. The familiar tools, the beeswax, the hum of my drill — it’s the space where I can focus and let ideas turn into something real. I’ve learned that my best work happens when I take my time. Jewellery-making is full of tiny decisions, and slowing down helps me get them right. Making everything by hand keeps me connected to the whole process, from the first sketch to the final polish.

I’m also careful about the materials I use. I mainly work with recycled silver and gold, and I choose stones from responsible suppliers. For me, good craftsmanship is about more than technique — it’s about intention, integrity, and creating pieces that feel meaningful to wear.